From Colm Toibin’s “Summer of ’38” fiction in The New Yorker:
But would she marry Paco? How could it be done? She had been so rude to him in the past, so dismissive. How could she make it clear to him that she had changed her mind? What reason would she give? In this uncertain atmosphere, with the chance that many more people were going to be killed or locked up, no one was thinking of romance or marriage, least of all someone like Paco, who was cautious and whose daily work at the dam was likely more and more difficult. But there was no one else she could think of who might marry her.