Before blogging anything on Joe Frazier's death, I waited to see if USA Today would post its '09 interview with him. Erik Brady talked to Frazier about Muhammad Ali, for a story in a special-edition Ali tribute tabloid.
The edition was the best cover-to-cover publication I saw at USAT, ink or digital. The Frazier article was the most hard-hitting of the lot, sure to catch a reader with his or her gloves down and draw some blood.
The publication's content only ran in print at the time — a concept that was smart and profitable use of already-controlled newsstand footage, no digital criticism from me on this one. But I was disappointed not be able to share the Frazier piece. The article showed the storytelling the org was capable of when it stepped out of the usual narrative boxes.
With Frazier's death, and with the special edition far behind us, USAT posted the story this morning. I've copied the lede below. Click, read the rest. Scene subsequently moves to a car, the street and a ring. I reread the story now and feel all of the same emotions I felt the first time. Brady drops you in life's last round. There is sympathy. There is disgust, violence and confusion, all or none of which may be justified.
I'm an easy mark for a good boxing read (and have yet to see boxing movies I haven't loved), but I think you'll devour this story as well.
PHILADELPHIA —Joe Frazier's one-bedroom apartment, a couple of blocks from City Hall, feels a mite crowded today.
That's Joe on the couch, his longtime girlfriend in the kitchen and his son Marvis on the computer. Arrayed in front of Joe are a reporter, a photographer and his assistant, a videographer and her assistant, plus Joe's public relations man. That's nine people in one half of his 900-square-foot suite.
Oh, and one more. Don't forget Muhammad Ali, the elephant in the room. It seems like Ali is always there — not physically, of course, but his prodigious personality remains an eternally outsized presence in Frazier's life, even here in his temporarily cramped living room.
You can see Ali in a painting above the couch, frozen in time as a wicked Frazier punch sends him reeling. You can hear him in the ebb and flow of conversation, as Frazier occasionally imitates Ali's familiar voice. You can even feel him, haunting Frazier across all of the years and the miles and the shared history.