Say about Larry King what you will, mistaking Michael Isikoff for Michael Weiskopf and the like. But the dividends of what King can simply posit and then receive by volume in return always amaze me.
Jan Berry of Jan and Dean died Friday in Los Angeles, with a seizure finally claiming what Berry had barely held onto in a 1966 car wreck. The High Fidelity script covered the crash in the Laura's Dad tribute list:
BARRY: "Leader of the Pack." The guy fucking cracks up on a cycle and dies right? "Dead Man's Curve," Jan and Dean…
DICK: Did you know that after that song was recorded, Jan himself crashed his –
BARRY: — It was Dean, you fucking idiot.
ROB: It was Jan, and it was a long time after–
BARRY: Whatever. Okay. "Tell Laura I Love Her." That'd bring the house down. Laura's mom could sing it.
ROB: Fuck off, Barry.
Althought that crash was only two years later, the location was just a few blocks from the curve. But what the movie made me assume at the time, wrongly, was that Jan Berry had died. It wasn't until a while later that I learned he had lived, and it wasn't until yesterday that I learned he was still making music.
Nothing he wrote or sang afterward reached the surf rock heights of Dead Man's Curve, Little Old Lady (From Pasadena) or the woody ("you know it's not very cherry, it's an oldie but goodie") that got two girls for every narrator in Surf City.
But when Larry King asked him last year how he wanted to be remembered, Berry found a well of an answer — most of which stretched from the accident to the present. From his response, linked at the top of his Web site today:
The mysteries of cerebral circuitry are still confounding the best scientists and doctors. But my circumstances offer supporting evidence that the nervous system processes verbal symbols and musical symbols (and abilities) in different ways. I'm slow, but I can still read, write, and arrange music. Words are a different matter altogether. I can't tell you about it easily, but I can do music, if you give me the time.