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Thursday, May 20th, 2004

Listening

Hadn't heard Wilco's A.M. in a while, so that disc made the drives with me today. Strangely enough, the song in my head most of the way there and back was The Lonely 1, which wasn't on that album but the one after. No loneliness at fault, the acoustic chords just sounded familiar. But reading that Jeff Tweedy last night closed his first show back with the song, that was interesting.

(Metromix and Chicagotribune.com are experiencing technical difficulties at the time of this posting. Hopefully they'll be resolved soon.)

Wednesday, April 7th, 2004

Early Wilco thoughts

Wilco began streaming A Ghost Is Born on the Web today. I spent the afternoon listening, giving the new album more ears than I should have if I wanted to get anything else done. But I didn't.

After one-and-a-half times through, I love the disc. The roll and kick of At Least That's What You Said open the work perfectly in character for the band. The following tracks drive and detour in steady but challenging fashion, with a harder edge up front evolving into naturally softer explanation. Choking guitars become juts of piano and then drone.

I'll be interested to read others' reactions, especially to the sequenced drifts of the latter songs. From a Walden broken heart on Company in My Back to the outward and inward warnings of I'm a Wheel and Theologians to the SETI-stolen Less Than You Think, what question does the subsequent and closing Late Greats answer?

For me, the gem of the album is Muzzle of Bees. Starting the disc's midsection, the song draws hopes. It makes me imagine Lake Michigan on a late spring day — captured in time-lapse photographs but lived in long seconds. The song's fills and gaps seem light enough.

Monday, April 5th, 2004

Jeff Tweedy

Get well soon. Find more Wilco news here.

Friday, May 3rd, 2002

Some thoughts on rock

Saw Wilco last night at NU's spring concert. The opener was Elliott Smith, the sensitive singer/songwriter who apparently has a drug and numbness problem. Enough of the other usual sources will write about this better than I: EllenThe Daily. (Other links to follow.)

My theory is that Wilco messes with him every time he falls asleep on the plane ride. The boys sneak back to Smith's coach seat, whispering. "Jeff, he's gonna wake up!" "Shhh! Shut up, no he's not." Then Tweedy sticks Smith's fingers in the cup of ice water, and they run back to the front of the plane, giggling. (Again in the safety of first class, they realize that cup of ice sounded really cool. Upon landing, they locate the nearest refridgerator and set up the four-track in the freezer. MP3s are available within hours.)

But, for all their infernal meddling with the sonic nature of the universe, Wilco had a spirit last night. Not had spirit — the most pathetic musician has spirit. Wilco had a spirit — a driving kernel sitting somewhere in the back of each of their minds, a body-transcendent rock image of themselves and nobody else.

They have reached a point where Wilco's biggest influence is Wilco, and the stage, while still high and wide, never seems to realize how empty it really is. There were only four guys up there. Confidence does so much for rock, but confidence in awareness can do so much more.