Why? The December issue of Poetry gives five arguments I like.
1. Ango Mlinko, “Epic.” Because when you are somewhere amazing alone, you can think of bringing someone there someday. “It’s you I’d like to see Greece again with / You I’d like to take to bed of cyclamen….”
2. Louise Gluck, “Visitors from Abroad.” Because when you write as an aware first-person, you write as many first people. “I write about you all the time, I said aloud. / Every time I say ‘I,’ it refers to you.”
3. Emilia Phillips, “Saul Bass Redesigns the First Man.” Because the best movie posters are the pop earworms of the eye, you can disassemble your existence, under the right light, as easily as Bass a film.
4. Tomas Q. Morin, “Love Train.” Because the world of repetition inside an overnight train is more transpository (can that be a word?) than any other mode of transportation, an overnight train cradles love.
5. Merrill Gilfillan, “Alfresco” (an essay not a poem). Because an up always exists, new worlds are okay. “Facing any landscape demands bearings, finding a footing, and then a bearing. Which way is up, for example.”